Sebastián García, known artistically as Montana, isn’t simply entering the scene with his debut album “De Repentazo”, he’s arriving with years of creative momentum already behind him. Hailing from Guaymas, Sonora, Montana has carved out a name as one of the most promising and versatile songwriters in the world of Regional Mexicano, with credits that include rising stars like Chino Pacas and Neton Vega. His pen has powered hits, but now his voice is stepping fully into the spotlight.
More than just a singer, Montana is a a storyteller who brings emotion and edge in equal measure. His music blends gritty street realism with moments of heartfelt vulnerability, and crafts songs that speak directly to life’s highs and lows, making him stand out in a genre that’s constantly evolving. He’s especially drawn to writing about love and heartbreak, a theme that runs through not only “De Repentazo”, but also in unreleased tracks already in the pipeline.
His romantic side shines in tracks like “Amor Confuso” and “Werita”, where listeners get a glimpse of the man behind the songwriter who’s unafraid to show emotional depth. And that balance is what’s helped Montana resonate with a growing fan base.
AFTER WRITING THE HITS, MONTANA TAKES HIS TURN AT THE MIC
1. CONGRATULATIONS ON YOUR DEBUT ALBUM “DE REPENTAZO”! EVERY TRACK HAS YOUR UNIQUE STAMP AND DEEPLY PERSONAL STORIES THAT REFLECT YOUR LIFE IN MEXICO. IF YOU HAD TO PICK ONE SONG THAT REPRESENTS YOU MOST AT THIS STAGE IN YOUR CAREER, WHICH WOULD IT BE AND WHY?
MONTANA: I’d have to go with the title track, “De Repentazo”. I relate to it a lot—it reflects my story perfectly. The phrase “De repentazo” kind of means “all of a sudden,” and it can apply to anything. Like, “this happened suddenly,” or “my life changed out of nowhere.” And that’s exactly how it felt for me. That line “y de repentazo me cambió la vida” really hit home, which is why I made it the title of the album. Funny enough, it was the last track we added. The album was pretty much done, but I couldn’t settle on a name. Then it just clicked “De Repentazo”. I think everyone can relate to it in some way. Life can take unexpected turns, whether personally or professionally.
2. MY FAVORITE TRACKS ON THE ALBUM ARE “AMOR CONFUSO” AND “WERITA,” WHERE WE GET TO HEAR A MORE ROMANTIC SIDE OF YOU. CAN FANS EXPECT MORE LOVE SONGS IN YOUR UPCOMING PROJECTS?
MONTANA: Absolutely. Love and heartbreak songs are honestly my favorite to write. There was a time when Regional Mexican music leaned more toward other themes, but I’ve got a ton of romantic tracks I’d love to record and release. It’s definitely a direction I want to explore more.
3. FOR THOSE JUST DISCOVERING YOUR MUSIC, WHICH SONG FROM “DE REPENTAZO” WOULD YOU RECOMMEND THEY START WITH TO UNDERSTAND WHO YOU ARE AS AN ARTIST?
MONTANA: Start with “De Repentazo”. It’s the most representative of who I am and what I’ve been through. Everyone’s experienced a moment that completely changes their life—whether it’s love, work, or something else. That’s why I think the song resonates with so many people.
4. YOU’RE NOT JUST MAKING WAVES AS A SINGER—YOU’RE ALSO BUILDING A NAME AS A SONGWRITER. YOU’VE WRITTEN TRACKS LIKE “HIJA DE PAPI” WITH XAVI AND THE VIRAL HIT “MORENA CANELA” WITH CHINO PACAS. WHAT’S IT LIKE TO RECEIVE RECOGNITION AS A SONGWRITER?
MONTANA: It’s been a surreal experience. Take Morena Canela, for example—I co-wrote it with my friends Armenta and Rabba from StreetMob Records. We actually wrote it a year before the album came out and didn’t know if it would ever see the light of day. Then one day, I heard Chino Pacas wanted it for his album. At first, I thought it would get overshadowed by the bigger names on the tracklist—especially the one with Drake and Fuerza Regida. But somehow Morena Canela started going viral, partly because Luis R began teasing it on TikTok. It just took off. Every day the numbers kept climbing. I’d never experienced something like that. And the best part? It opened doors. People started recognizing my work and inviting me to collaborate.
Now I’m even writing for Calle 24 and working on a couple more songs for their next album. I’m incredibly thankful to Armenta, Chino, and everyone who’s supported me on this journey.
5. AS SOMEONE WHO’S DEEPLY INVOLVED IN THE CREATIVE PROCESS, ARE THERE ANY PRODUCTION DETAILS, WHETHER IN THE INSTRUMENTATION, HARMONIES, OR VOCALS, THAT YOU FEEL MAKE THIS ALBUM STAND OUT, EVEN IF THE AUDIENCE MIGHT NOT NOTICE THEM RIGHT AWAY?
MONTANA: Definitely. We played a lot with blending traditional Regional Mexican sounds with urban effects. It’s a mix a lot of artists are experimenting with, and in the studio, we like to push the envelope and try new things. But we always keep the audience in mind—what they might enjoy, what might go viral. Sometimes even just the beat or a unique melody can grab attention. That’s why we put so much effort into the hooks and tones. We want to keep evolving while staying true to the genre.
6. IF YOU COULD HAVE ANY REGIONAL MEXICAN ARTIST SING ONE OF YOUR SONGS, WHO WOULD IT BE?
MONTANA: A year ago, I would’ve said Gerardo Ortiz or Régulo Caro—they were huge influences growing up. But the wild thing is, they both already recorded songs I wrote! Gerardo has one on his new album, and Régulo recorded one too. Lately, I’ve been thinking it’d be amazing to work with Leonel García. I love how he writes and the emotion in his music. I haven’t done anything like that yet—something more poetic and intimate—so I think collaborating with him would be something really special. Honestly, I feel like we’d get along great, too.
7. ONE THING I LOVE ABOUT YOUR ALBUM IS HOW YOU COLLABORATE WITH OTHER TALENTED VOICES IN REGIONAL MEXICAN MUSIC—LIKE JR TORRES ON THE TITLE TRACK, AND OTHERS LIKE ARMENTA, ABRAHAM VÁZQUEZ, AND RÉGULO CARO. HOW DID THOSE COLLABORATIONS COME ABOUT?
MONTANA: I had over 20 songs ready, but many didn’t feel right to release at this moment. So I reached out to my friend JR Torres and said, “Hey man, I don’t think that track we were going to drop will make the cut, want to do something new?” I sent him “De Repentazo”, and he loved it. We hit the studio in Los Mochis, recorded it, and even shot the video all in the same day. It ended up being the focus track of the album, even though it was the last one added.
8. SO DOES THAT MEAN SOME OF THOSE UNRELEASED SONGS MIGHT COME OUT AS FUTURE SINGLES? ANY SURPRISES IN THE WORKS?
MONTANA: Maybe! There’s actually one track I didn’t manage to include on the album—it just missed the deadline. It’s a duet with my friend Adriel Favela, and that’ll probably be the first thing I drop post-album. So yeah, more music is definitely coming.
9. DO YOU HAVE ANY UPCOMING PERFORMANCES WHERE FANS CAN HEAR “DE REPENTAZO” LIVE?
MONTANA: Not in the U.S. just yet, I’m still in the process of getting my visa. But I’ve been doing interviews over Zoom, and next month we’re planning a trip to Mexico City. We’ll be doing some in-person press there to promote the album and hopefully link up with other artists while we’re in town. I’m looking forward to making more music while we’re out there.
10. FOR NEW FANS WHO HAVEN’T SEEN YOU LIVE YET—WHAT CAN THEY EXPECT FROM A MONTANA SHOW? WHAT KIND OF EXPERIENCE DO YOU WANT PEOPLE TO WALK AWAY WITH?
MONTANA: I want the audience to really connect with me. That’s not always easy, some artists struggle to create that bond live, but that’s my goal. I want people to leave thinking, “That was a dope show. I want to see him again.” Or even better, “I didn’t know who he was, but now I’m a fan.” More than anything, I want people to have a good time and help build a bigger community around this music.
MONTANA’S NEXT CHAPTER: EXPANDING HIS VOICE BEYOND “DE REPENTAZO”
With several unreleased songs still in the vault, including a much-anticipated collaboration with Adriel Favela, his next chapter promises even more depth and reach. As he prepares for upcoming live performances, fans on both sides of the border should keep an eye out for tour announcements and pop-up shows.
Take a moment to explore “De Repentazo” in full. It’s a revealing first step into the world of an artist who’s already left his mark behind the scenes, and is now ready to take center stage.
Story by: Sahula Rebecca Diaz-Castrejon
Photos by: Courtesy of The 3 Collective / Michael Villalobos (TANGO)
