Víctor García enters a new chapter in his career with the release of Recuerdos de un ayer, an EP that marks his return to the essence of Mexican romantic music through a contemporary lens. Inspired by the musical sensibility of the 1970s, the project not only pays tribute to a golden era of interpretation but also seeks to reconnect with audiences who grew up with that sound, while inviting younger generations to rediscover the emotional depth of timeless songwriting.
Composed of seven tracks that explore different stages of love, from devotion and longing to absence, memory, and emotional permanence. Among them, “Lo que te queda” stands out as the focus track, offering a perspective on heartbreak that centers on what was left unsaid and undone. As García explains, beyond commercial appeal, his intention is to create music that sparks reflection, songs that don’t just get heard, but truly resonate in a fast-moving musical landscape.
Originally from Ciudad Madero, Tamaulipas, and first gaining national recognition as a finalist on La Academia, Víctor García solidifies this new phase following his signing with M4 Records in partnership with Sony Music. With more than two decades in the industry, collaborations with artists like Yuri, Carlos Rivera, and Edén Muñoz, and a recent national tour featuring sold-out shows at venues such as the Teatro Metropólitan.
Your new EP “Recuerdos de un ayer” transports us to the romanticism of the 1970s with the sensitivity of regional Mexican music. How did you manage to balance the nostalgia of classic romantic music with a contemporary perspective on relationships?
Yes, you know, that was really the goal, to serve a market that is very much present. For me, it’s been wonderful because I feel like it’s a generation that got to know me 24 years ago, and they come from that beautiful era when songs were truly heartfelt, when interpretation was everything. As a singer, it’s like they’re feeding my soul.
What’s beautiful is that out of so many songs in that style, we chose seven, seven songs I feel deeply connected to. And like I said, I’m reaching a public that I love, that loves me back, appreciates me, and has filled my life with blessings.
Also, since I know I’m speaking to families, these are such beautiful songs that younger audiences can also connect with. Right now, everything is so fast, so much noise, so much information. Songs come out, and two weeks later there’s another one, and then another, and nothing really sticks. But this kind of music has managed to transcend over time.
Your focus track says “Hoy solo te queda hablar de mí” (“Now all you have left is to talk about me”), which reflects a different kind of heartbreak, one where the protagonist seems to have the final word. What was it like to build that message from a place of closure and emotional power?
How many people don’t end up in that situation? That’s why I like songs that, beyond being good and commercial, make you reflect. I feel like that adds something. I don’t necessarily have a moral obligation, but in every sense, I do feel a responsibility toward families. I like reaching everyone, from kids to what I call my “accumulated youth.”
This project is for people who lived through a certain era, some are still with us, some aren’t, but we carry them in our hearts. And the themes speak to something universal, you talk so beautifully about that person, but what did you actually do to keep them? Where was the effort, the sacrifice, the love, the attention? It’s pointless to speak highly of someone now if you didn’t show it when it mattered.
These are themes I really connect with. In a time where everything is so fast and loud, instead of overstimulating the senses, we’re betting on feelings. Hopefully we get it right, hopefully it moves people, stirs something deep inside, because we truly love this.
Let me share something personal, I never really had a team before. No management, no production manager, none of that structure that supports an artist. And now, after 24 years, I finally do. For me, that’s a huge achievement. Just when I thought my career might not take off again, the opportunity I had been waiting for finally came.
On La Academia, you were seen as part of a group, and later you moved into acting. But now you’re recognized as the individual artist you are, with your own team, as a musician and performer.
Can you imagine if I had given up at some point? Like anyone, I had my doubts, 24 years is a long time. You start to wonder if you’re investing your time in something that will actually work. But deep inside, I knew I was being honest with myself. I didn’t choose to be who I am, I chose to follow through. I didn’t choose my abilities or gifts, I believe they were given to me. I’m a man of faith.
So why quit at the last moment? And look, we made it. Now the challenge is to stay here, and to carry that responsibility.
From the moment I became aware that music influences people’s behavior, I asked myself, what do I want to evoke in them? What do I want to share? Since I’m speaking to families, that comes with a big responsibility. It would be easier to just follow trends, but what we want is to create our own contribution, our own path, aimed at families.
I’m very grateful to have a team that supports me, believes in me, and walks with me with God’s guidance. Doing beautiful things for the audience, that’s what matters. They deserve all my attention, my love, and my respect.
Why was “Lo que te queda” chosen as the focus track, and what makes it different from other heartbreak songs?
Because I understand the message. I had a song before, “Otra Vez,” that became like my signature, it also reflects on wanting just one more minute to say everything you didn’t say. Why do we wait for that?
In my songs, I’m always searching for answers, and I want listeners to find them too. The answer is to act, to be present. How many times have we heard someone say, “They were amazing,” “They were so kind”… well, say it when it matters. Even if things don’t work out in the end, let it not be because you didn’t try.
That’s why I love “Lo que te queda,” because sometimes, all that’s left is the regret of not having acted in time.
The vision for the music video also reflects that 1970s influence. Which artists inspired you in creating it?
Honestly, I was very trusting of the process. We tried to keep everything as natural as possible. Like I said, now I’m working with a team, and I had to learn to delegate and trust them.
Even the wardrobe has meaning, it reminds me of when I was about three years old, watching my uncles. Everything has a reason, a foundation. That’s what makes it real, even the way I interpret the songs, the tone of my voice, everything comes from a place of truth and honesty.
My manager played a big role too. He has 35 years in the industry, was Vice President at Sony Music México, and now runs his own label, M4 Records, which is focused on regional Mexican music. He brought his perspective, and as a team, we believed in the vision and executed it.
And I think it worked. That’s what we wanted, to do things right. If we can do them with excellence, even better. But just getting it done in the right way already felt incredible.
I love that you’re giving a shoutout to your team, this isn’t just your success as an artist, but also the result of the people and the label that believed in you and allowed you to stay true to your essence.
Exactly. They’re handing me the ball, you know, they’re trusting me with their work, their effort. I always wanted to be important to someone in that way.
And none of this would be possible without the love and support of the audience. We took a risk playing Teatro Metropólitan, that’s 3,500 people, and we sold it out three times. It was magical. That led to a national tour across Mexico, and the goal is to visit every city.
Things are complicated in the world right now, but I believe my responsibility is to uplift people, to create a positive emotional state through music. Music is powerful, and since it influences behavior, I see it as my mission to bring families together and make them feel good.
Right now I’m promoting here in Miami, the heart of the music industry, but the goal is to reach more places. I’ll also be doing promotion in Central and South America, like a small light spreading good energy, love, and gratitude.
At the end of the day, it’s about doing what we’re meant to do, our purpose. And we’re lucky that ours is music. So imagine that, we’re all happy
VICTOR GARCIA’S MUSICAL VISION FOR 2026
Recuerdos de un ayer is now available on all digital platforms, with the official music video also streaming on YouTube Music. The EP captures a renewed artistic vision for Víctor García, blending timeless romanticism with a contemporary sensibility that resonates across generations.
As García continues to grow in this new phase of his career, he is setting his sights on the stage, aiming to bring these songs to life through live performances. With plans to expand his reach, the Mexican singer hopes to connect with audiences in the near future, further strengthening his bond with fans through an intimate, emotionally driven live experience. The artist is now preparing for a major milestone: his upcoming performance on August 27 at the Auditorio Nacional.
Photo courtesy: Annie Gee Marketing
